Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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MOR VAN DASHORST, Anthonis
Portrait of Hubert Goltzius g

ID: 08271

MOR VAN DASHORST, Anthonis Portrait of Hubert Goltzius g
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MOR VAN DASHORST, Anthonis Portrait of Hubert Goltzius g


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MOR VAN DASHORST, Anthonis

Netherlandish Painter, ca.1517-1577  Related Paintings of MOR VAN DASHORST, Anthonis :. | Portrait of Anton Perrenot de Granvelle ag | Portrait of the Philip II, King of Spain sg | Portrait of a Goldsmith | Knight of the Spanish St James Order dg | Portrait of Hubert Goltzius g |
Related Artists:
Lucas Furtenagel
1505-1546
BELLINI, Gentile
Italian Early Renaissance Painter, ca.1429-1507 Gentile was born into a family of renowned painters: his father Jacopo Bellini, was a Venetian pioneer in the use of oil paint as an artistic medium; his acclaimed brother was Giovanni Bellini, and his brother-in-law Andrea Mantegna. Gentile was taught painting in the workshop of his father. Although today Gentile is often seen in the shadow of his more famous family members, in his own time he was considered among the greatest living painters in Venice and had no shortage of commissions; his talent as a portraitist revealed itself at an early age.
John George Brown
1831-1913 John George Brown Galleries John George Brown (November 11, 1831 - February 8, 1913), American painter, was born in Durham, England, on 11 November 1831. He studied at Newcastle-on-Tyne, in the Edinburgh Academy, and after moving to New York City in 1853, he studied with Thomas Seir Cummings at the schools of the National Academy of Design, of which he became a member in 1863.New International Encyclopedia He was its vice-president, 1899-1904, and originated the idea of the removal of the Academy to a new site in 110th Street. In 1866 he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. He generally confined himself to representations of street child life, bootblacks, newsboys, etc.; his Passing Show (Paris, Salon, 1877) and Street Boys at Play (Paris Exhibition, 1900) are good examples of his popular talent. Brown's art is best characterized as British genre paintings adapted to American subjects. Essentially literary, it is executed with precise detail, but is poor in color, and more popular with the general public than with connoisseurs.






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